Reading Art Spiegelman
Philip Smith
The horror of the Holocaust lies not only in its brutality but in its scale and logistics; it depended upon the machinery and logic of a rational, industrialised, and empirically organised modern society. The central thesis of this book is that Art Spiegelman's comics all identify deeply-rooted madness in post-Enlightenment society. Spiegelman maintains, in other words, that the Holocaust was not an aberration, but an inevitable consequence of modernisation. In service of this argument, Smith offers a reading of Spiegelman's comics, with a particular focus on his three main collections: Breakdowns (1977 and 2008), Maus (1980 and 1991), and In the Shadow of No Towers (2004). He draws upon a taxonomy of terms from comic book scholarship, attempts to theorize madness (including literary portrayals of trauma), and critical works on Holocaust literature.
درجه (قاطیغوری(:
کال:
2015
خپرندویه اداره:
Routledge
ژبه:
english
صفحه:
148
ISBN 10:
1317352424
ISBN 13:
9781317352426
ISBN:
2015034701
فایل:
EPUB, 1.98 MB
IPFS:
,
english, 2015